Spanking is sometimes a figure/ground study for me

Here’s a picture. It comes from (of course) the one and only Red Charls. Who else dramatises and photgraphs the D/s experience so expertly?

I have a complicated relationship with this image. (Therein I call it art.) I look at it one way and I see a defensless, nude woman under the rod of oppression. Then I look at it again and I see a perfect alignment of wills, a deep yearning for discipline, a most caring hand of authority.

One way; then the other way. Back and forward. My ambivalence, of course. My struggle with all this.

This is just like the figure / ground studies we all know. Look at this picture. Do you see the vase or do you see the faces? Vase. Faces. Vase. Faces. Back and forth.

What am I saying (other than the banal, how we look at things affects what we see)?

I suppose I’m really conscious of how “so-very-right” and “so-very-wrong” are remarkably two sides of the same coin, and how it is quite hard to get that coin to reliably land right side up. It’s not just a question of seeing the postive. It is about putting the positive there for all to see.

Mesmerised by Red Charls

I was introduced to a site called Red Charls “site amateur, gratuit” by a correspondent who popped up in my email inbox with the most enticing review, waxing lyrical and far too deliciously not to quote a bit – see below.

I see spanking and DD as essentially theatre of the mind, and I’m generally more pleased by a good story than a picture. But these photos are really something. On the downside, Charls’ spanking section is merely one tranche on a site that does rope and candlewax and other (to me) mere clutter. And it’s very “Euro-noir” in overal ambiance. Yawn. But there is real art here.

ss-rc-203

ss-rc-45a

First, the photographer, whoever he or she is, is a genius. The pictures are not just pleasingly polished, clear, well composed, beautifully lit, colour-balanced and so on, but they also breathtakingly feel the ‘motion’ of spanking. The swing, the strike, the squirm, it’s all humanity-in-motion and it’s all captured. The pictures also seek out other things that are hard to express: firmness of purpose, gentleness of intent, totality of submission, and so on. It’s a pure an evocation of masculinity / femininity, utterly different in aspect, dress and role, colliding with a desire that leaps off the page. To me it is just smokin’.

Another perspective – what my correspondent (who’s name I’ll withhold, but who identifies herself as a straight female from New England) had to say:

ss-rc-gg1 “Her hair is gorgeous and I like that it’s left flowing behind her. I like the simplicity of the bindings- just what appears to be soft green rope. Her positioning is again, simple, but perfect- leaning forward throughout, with her back arched and bottom pushed back pleasingly (photo 11 is stunning in this regard). She’s in simple heels, nothing too showy. There are about 33 photos in this series featuring this same girl/same scene, and the beauty of that is you can really see her going through it all, from panties on, then being pulled down slightly, and her bottom being completely white, to them finally settling where they are in these photos- acting as a bit of a binding in themselves – preventing her from opening her legs wider, all the way to her bottom being rendered bright red…

“I like the implement too, which is simple as can be, the man’s arm which is shown to be veiny and muscular, and the strength that that implies. But I have to say the thing that captivates me the most is the markings. #13 in particular, is the one I find myself staring at. The markings are so obviously real, and freshly received, all the way from that beautiful curve of her lower back- how you can see the imprint of the stitching in the leather and that it’s higher up on the right since he’s on her left & is using his right hand, the redness across her cheeks, which in this photo is in the midst of being walloped in double whammy fashion, down to her upper things- particularly her upper inner thighs, and then, of course, those panties again, just below it all. Am I crazy for finding this breathtakingly hot?”

From erotica to art, better to ponder the mysteries of cornertime

I came across this digital illustration at Spankful Delight (thanks!)

cornertime

I have  no idea of the attribution (if anyone knows, tell me and I’ll put it up.)

It’s not the most fabulous work of art. Technically and compositionally there is much wrong with it. But that’s hardly the point here. What’s interesting is that it crosses the line from erotica to art. (Porn is the commercial subset of erotica, some of which is art. What makes art “art” is not just a matter of personal preference. There are criteria – which are debated – but essentially art is something that causes us to think, ponder, view differently while erotica/porn is essentially about stimulating the juices.)

Previous pictures I’ve posted so far on this site are of course erotica. But this one, while erotic, moves the viewer in another way as well. It “discusses” post-spanking and cornertime and refreshes perception. With a centred subject, knickers down to the artistic gaze, it is about the power imbalance between the viewer and the viewed. Cornertime as “display” time does that. It extends the discipline effect: going from under his hand to under his eye, if you like.

It also shows cornertime as more tranquil that one commonly perceives it. Meditative even. As I’ve no personal experience of being in her position the strength of this idea is, to me, something new. I know that a common theme in spanking is the “peace” that follows once she has integrated the spanking/discipline into herself. Cornertime facilitates that integration. That seems the artist’s intention here (open to debate of course, as all art is!)